Pro Collection

• Collection: Pro Range
• Type: Reverb
• Three algorithms: Dark (lower octave), Rise (ambient auto-swell), Dream (latching pad)
• Three wave shapes: Sine, Warp, and Sink for modulation variety
• Momentary bypass and sustain switches for expressive real-time control
• Trails mode for natural reverb decay when pedal is switched off

PL Notes:

The SLO was suggested by so many people and I can see why. So much fun creating vast audio landscapes. I lost time playing with this pedal.

The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality.

The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell) and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail.

Combine deep modulation with long washy trails and experience, the Slö.

ALGORITHMIS:

DARK – Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE – This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM – Here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

• Collection: Pro Range
• Type: Boost
• Extremely high input impedance (5 million ohms) — lets pickups "open up" naturally
• Delivers up to 8.5V peak-to-peak — the loudest 9V battery-powered boost available
• MOSFET-based circuit (no bipolar, FET, or op-amp devices)
• Reacts beautifully to guitar volume pot for expressive clean-to-drive control
• Hand painted — each unit is unique

PL Notes:

I love this pedal as a great clean boost (docent add too much tonal change). If your amp is clean then its gets heaps louder. If your amp is a little dirty it adds some really nice drive and boost and reacts really well being adjusted with your volume pot. Some great blues tones to be had for sure.

The super hard-on has an input impedance of 5 million ohms and delivers up to 8.5 volts peak-to-peak, making it the loudest box available with a 9V battery. It uses no bipolar, fet, or op-amp devices, but rather a mosfet switch. Try listening to one turned down low with a strat. When it is on, you can clearly hear the pickup "open up" as the load is taken off by the very high input impedance.

• Collection: Pro Range
• Type: Fuzz
• BC183 silicon transistor — medium-high gain with a smooth, almost germanium-like character
• Cleans up remarkably well with guitar volume pot
• External Sun Dial bias control for tonal shaping from gated/spitting to overdrive-like
• By Analogman — one of the most respected boutique fuzz builders in the world

PL Notes

I love fuzz but they can be difficult to use - kind of like learning another instrument. I usually set the volume at unity or above, turn the fuzz up until it's too much then back it off just a smidge (Philip Sayce advice). The bias knob in the middle can yield some interesting and fun tones from gated spitting sounds (anti-clockwise) to more overdrive like (counter clockwise). There are great sounds to be had turning the volume pot down on your guitar too - in fact so many awesome clean tone to be had using a fuzz with the guitar volume down. Don't forget, a lot of the classic sounds were just cranked amps with a fuzz or treble booster then a lot of tonal adjustment coming from the guitar controls. *Final note - they are noisy, embrace it.

BC183 : Medium high gain. These are really smooth, almost like a germanium sound and people often are surprised at how well they clean up. The Sun Dial is an external bias control.

• Collection: Pro Range
• Type: Overdrive
• Two classic circuits in one: TS808 Tube Screamer and BluesBreaker
• Independent Drive, Volume, and Tone controls for each channel
• Fat, Stock, and Glass toggle settings for tonal variation
• Channels can be used independently or combined for a vast sonic palette
• More drive and volume on tap than either original pedal

PL Notes:

If you could only take one drive pedal to a gig I think this one would have you well covered with the exception of a really high-gain tone. Jesse Davey (Kingtone) has added more drive and volume than you would get from either of the pedals this was based on. With the additional toggle switches you can really tune it into your rig. Great pedal.

King Tone Guitar The Duellist, a versatile and dynamic overdrive effects pedal that offers two classic circuits in one compact unit. Uniquely designed, this pedal harnesses the power of the legendary TS808 Tube Screamer and BluesBreaker, creating an impressive spectrum of overdrive tones. From the subtle warmth of the Tube Screamer to the crisp punch of the BluesBreaker, this pedal provides a vast sonic palette for guitarists to explore and customize. Its intricately crafted controls for Drive, Volume, and Tone, along with the unique Fat, Stock, and Glass settings, offer an unparalleled level of tonal shaping. Engage and combine these two iconic effects to unlock a world of musical creativity.

Key Features:

• Two-in-one overdrive pedal
• Boasts circuits of TS808 Tube Screamer and BluesBreaker
• Independent Drive, Volume, and Tone controls
• Unique Fat, Stock, and Glass settings for tonal variation
• Allows for engaging and combining of two effects